The complication of life inspires me to use complicated combinations of materials and methods in my work. I create three dimensional shadowboxes, free form assemblages, and installations that defy categorization with calculated hodgepodge. I spend a lot of time “making the stuff to make the stuff,” re-purposing second-hand and throw-away materials with techniques like knitting, knotting, stitching, wrapping, staining, poking, gluing, and smashing. I use excessive texturing in conjunction with vibrant colors and curious objects to create a visual pull, asking the viewer to come closer than they might otherwise to a work of art. My hope is to use this material mishmash to keep the viewer engaged with clues to a certain complexity behind the familiar.